![]() Sure there are free LUTs inside Davinci Resolve and online, different “flavours” of LUTs for different conditions, moods, prices… And then there’s The Flash LUT. Profile: Sony S-Log 2 / Image: X Factor Before LUT After LUT. So that's the background on how the fancy S-Log2 and S-Log3 compression curves are used. Sony S-Log 2 and Sony S-Log 3 ( S-Gamut) Picture Profiles There is also a collection of LUTs designed for the Sony A7s.Profile: Sony S-Log 2 / Image: KOTAKVISUAL Before LUT After LUT. This LUT pack includes 6 different REC709 (.CUBE) conversion looks that are tailor-made for the Sony SLOG (2 & 3) Gamma curves. It’s entirely up to your own creative taste. Use it as an input/viewing LUT to see what’s going on with your image, integrate it as part of your color grade or just use it on it’s own. Preserved Highlight Detail (Note: Highlight detail can never be recovered from hot/blown out whites with ANY LUT.Custom Cine Contrast with Balanced Saturation.Light Hue Shifts for Improved Color Control.Profile: Sony S-Log 2 / Image: aaa123jc (EOSHD forum) Before LUT After LUT. This also includes any white balance issues recorded at source. Note: Any filter, lighting, lens or camera color casts recorded at source will also be present when the LUT is applied. Same methodology as my BozBMDFilm to Rec709 and BMPCC 4K & 6K LUT(s). Think of this LUT as a tweaked Rec709 base LUT created for Sony S-LOG 2 and S-LOG 3 Picture Profiles found in cameras such as the Sony A7s, A7r, A7riii, A6300 and Sony FS7.
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